Play Review: The Guest List

“It’s better to have loved and lost than to live with a Psycho for the rest of your life”

These are the words I saw written on a porcelain plate somewhere once and the words stuck to me.  Nothing describes divorces and this play more aptly. Four guests, trapped in a restaurant with no waiter, and the host missing sounds like a mystery plot. It starts like one with a an uptight, rich antiques dealer Bengali guy named Roy playing Sherlock Holmes about why he was there and where the host is along with a loud, dumb as a rock Punjabi Nikunj. However, it soon turns into a clash of the ex’s as “No.3” arrives. Roy’s thought of “What can be worse than this?” is answered in form of his equally uptight and successful but confused Punjabi ex-wife Ashima Khurana entering the scene. Things get even more interesting with the arrival of “Guest No.4” who is none other than Nikunj’s archeologist ex-wife Gauri.  But shit really hits the fan when the fifth guest arrives.

Photo Credit: Blue Phoenix Productions FB Page

Co-Produced by Blue Phoenix Productions and Leap Of Faith Productions in association with EOS21, “The Guest List” is a story of an encounter gone hay wire where two ex-couples are embroiled in a surprising tale of events filled with dramatic twists and turns. This has to be one of the most original, well written and well directed play I have seen in a while. It is a refreshing change to see a play which is original and not ‘adopted’.  Co-Produced by Mohak Pajni and Adhiraj Sharma, the play is a typical “Indian Masala Comedy” which strong characterisation and a hilarious script. Adhiraj also plays the role of Roy and with equal aplomb as his direction. Shruti Kattar plays Ashima Khurana, the successful modern writer whose Punjabi roots sprout in tough situations. Kaavya Bector, in the role of Gauri Bharti Murli plays the control freak who likes to flaunt her “PhD” but was strangely married to Nikunj, played by Gaurav Amlani.  While every actor played their part perfectly, Gaurav just steals the show as a typical Punjabi with perfect comic timing, eloquent dialogue delivery and body language. The script uses just the right amount of Punjabiness and words to keep the audiences in splits throughout the play. Each character’s “statehood” is butt many jokes but by maintaining a fine balance the jokes do not enter the offensive and “have heard it before” category. Mohak Pajni enters the scene just before Act 2 and leads the second Act. I would rather not say who she plays except that she is the fifth guest. Her demeanor and actions scare everyone but she is doing it for a reason.

Photo Credit: Blue Phoenix Productions FB Page

This is a must watch play. The biggest strength of the play is the perfect  comic timing with a great script and direction which will make you laugh your ass off.  You can watch it on 23^rd May at LTG Auditorium, New Delhi.

About the Play: 

Produced by: Blue Phoenix Productions and Leap Of Faith Productions

Written and Directed by: Adhiraj Sharma

Cast: 

Gaurav Amlani: Nikunj
Shruti Khattar: Ashima Khurana
Kaavya Bector: Gauri Bharti Murli
Mohak Pajni: Guest No. 5 (Watch to play to see what her role is)
Adhiraj Sharma:  Roy Chatterjee 

Play Review: Kathgodam Express by Behroopiya Entertainers

A guy on the run from the law for a crime he did not commit. This sounds like a very common plot. This is the theme of the play “Kathogodam Express” which is based on “39 Steps” and English classical movies hailed as one of the best Hollywood has ever produced. Theatre is just not about the story, it’s about how it is presented. The play is about Hari, an event manager, accidentally framed for murder, becomes a fugitive running from the long arm of the law. As he unravels, global conspiracies are exposed, and hidden truths of modern existence revealed. What differentiates this play from others is the fast pace, the multiple roles played by a single actor. Karan Mann did a brilliant job playing very different characters which were different not just in the role they were playing but the body language, dialect and personality. He switched between the various characters brilliantly keeping the audiences in splits in all his roles. Ritu Mago as the ‘spy who gets killed’ plays her role as spy-seductress with aplomb. Udit Ohri, playing the protagonist did a good job but the fast pace and quick changes between scenes did not allow for long scenes which really bring out the best in an actor. The entire team did a good job in switching between the scenes and sets though I wish they could’ve reduced the number of acts by combining them. It gets a little overwhelming. You will be laughing through several scenes but some acts could’ve been better script wise.  One message we get at the end of the play is that it is made from the heart to bring awareness for autism.

Written and Directed By : Shivani Singh

Produced By: Mudita Sharma Mehta, Rishi Mehta for Behroopiya Entertainers.

Cast : Nancy Arora, Ritu Mago, Gurinder Singh, Udit Ohri, Sonu Sonkar, Karan Maan, Deepak Yadav, Ritesh Kumar Vdy, Amit Verma

Play Review: OOPS! by Kailvalya Plays

I had two special reasons to watch this play and boy, was I happy I saw it. First reason, in the past I have seen a play by Asmita based on the same story "Death of an Anarchist", so I wanted to see how different directors adapt the same play, differently. Seconds reason was the protagonist of the play. I and Aakash were batchmates during our TCTS (Theatre for change, Theatre for society) by Asmita theatre group in 2011. Since then he has been actively involved with his college's theatre group and I wanted to see his work having attended theatre classes with him

Nobel Laureate Dario Fo wrote "Accidental death of an Anarchist" back in 1970 and since then it has been adapted and performed all over the world. The play was inspired by the death of Giuseppe Pinelli, a railroad worker who died after falling from fourth floor of a Milan police station.

It not only takes a good writer but great actors to send people into splits while bringing to notice a serious and important issue of police atrocities. All characters have been adapted well to an Indian situation by giving them certain amount of quirkiness Indians would relate with - be it SP Subhramanian Vallapattu (played by Ashish Dha) with a strong and beautifully executed South Indian accent or hawaldar Harpal Singh Cheema (played by Ratana Sambhav) who has more enthusiasm than brains or control on his tongue or SP's chamcha Insp. Rohtas Choudhary (played by Rupseh Sharma). The play however belongs to "The mad man", the central character played with aplomb by Aakash Gupta. While it might seem I am a little biased while looking at his work, but the rest of the audience who went into applause and splitting laughter were not. Right from the brief pauses in dialogue delivery to the energetic body language and the eye expression, he has delivered an incredible performance. The character is a clinically insane but decides to "investigate" the death of the social worker by posing as a judge. Curtain raiser is "the mad man" interacting with the audience like a stand up comedian. Each actor has given their heart and soul to their characters. I wish though that  character of the reporter, Meenakshi Dutta (played by Riya Singh) was given a little bit more stage time to develop the character and to give it some depth.  The ending is different in this adaptation compared to two alternative endings in the original writing. Watch it to know it. No spoilers here.

The play is fast paced and energetic through out, with both verbal and physical humour without getting slapstick. Kaivalya Plays have adapted it very differently than Asmita. Both are enjoyable but you walk away feeling differently. In this one, you would be carrying back a big smile on your face. 

I would highly recommend this play to anyone who wishes to see a left vs right debate laced with humour or anyone looking for a classic comedy.

Play By: Kaivalya Plays

Cast of the play:

Madman: Aakash Gupta

SP Subhramanian Vallapattu: Ashish Dha

Inspector Rohtas Choudhary: Rupesh Sharma

Inspector Sunil Yadav: Piyush Kumar

Constable Harpal Singh Cheema: Ratana Sambhav

Meenakshi Dutta: Riya Singh

Play Directed and adapted by: Shrishti Gupta and Karanjot Singh

Play Review: No Experience of theatre required by Turquoise Palette

A motivational speaker once said “Never let inexperience get in way of your ambition”. While it makes a lot of sense and is motivating but it can spell disaster in wrong hands. The play depicts such a disaster perfectly.  The result of having an inexperienced, overconfident director putting up a play with self absorbed and eccentric nincompoop of a cast will drive audiences to the limit of their patience and have them demand refund. Do not worry, I am not talking about this play but about the play within this play. Confused? I did not demand my money back because I could barely stop laughing through the entire play. The play takes you through the process and the end result of couple of crazy people, with IQ as low as our economic growth rate, coming together and trying and create a theatrical masterpiece. The play begins with the said play being performed in front of the audience but then suddenly everyone starts to improvise resulting in a classical greek tragedy looking like comedy of errors. The entire cast has fit to their role like a well fitted glove but the play belongs to Shibani Bedi – the recovered (or has she) mentally unstable Punjabi girl who brings her Punjabi flavor to Medea’s role. There were moments when she sent the audience in splits even with her mere body language without even saying a word.

The Akshara theatre was a perfect setting for the play as there is no dead spot in the stage at anytime. Actors keep performing their acts in the background with as much zest as the performer in focus. The small stage helped audience capture all that is going on the stage. Not only was the script hilarious, the delivery by every actor was spot on. Adhiraj Sharma needs a special mention too playing an over-confident, self absorbed, inexperienced, talentless actor. All characters get into character to get out of it. Arun Prakash delivers a phenomenal performance as the inexperienced Director, whose English would make the Queen laugh rather than feel offended.

What makes the play ironic is the fact that it is actually the first play written, directed and music composed by Pallav Chander and newly formed Turquoise Palette. Let’s see what other colors this palette has. However, while this might be the first time he wore director’s shoes, he is no newbie to the theatre scene and it shows with the attention to detail and the engaging screenplay.

I highly recommend this play. It was by close friend’s birthday and I took him there and he said it is the best birthday he could’ve had. So, do catch it the next time. Don’t miss it. I won’t.

Production By: Turquoise Palette

Written, Directed and Music By: Pallav Chander

Lights by: Vinimay

Cast:

Director: Arun Prakash

Hades: Adhiraj Sharma

Aphrodite: Shibani Bedi

Zeus: Shekhar Murugan

Psoidon: Nand Chopra

Dancer: Shivani Nagar

Let Zip: Varoon P Anand

Choreographer: Dimple Kaur

Guruji: Harish

Veteran Guest: Sarthak Mattoo

Assistant: Subhashani/ Debontika

Play Review: "Between the Lines" by Nandita Das

About the play:

Language: Hinglish

Directed by: Nandita Das

Written by: Nandita Das and Divya Jagdale

Cast:

Maya: Nandita Das

Shekhar: Subodh Maskara

Kavita: Nandita Das

Mukesh: Subodh Maskara

Due to busy few weekends, I had not been able to see a play. When I was casually checking the play listings for the weekend, I saw “Between the lines” Written, Directed and Acted by Nandita Das, I had to see it. Venue was FICCI Auditorium - venue I like. Thanks to some ‘auspicious day’ there were like a million weddings in Delhi on that day and it took me about 75 mins instead of usual 40-45 mins and hence I missed the first 5 mins of the play but atleast I got the tickets.

“Between the lines” primarily is a play in form of conversations between an urban, well-educated, upper middle class couple. It talks about the issue of gender inequality – the obvious and the subtle forms of it. Shekhar (played by Subodh Maskara – Nandita Das’ husband) is a successful and famous lawyer and Maya (Nandita Das), a college gold medalist who is getting back to her professional life after a 14 year gap. They have recently sent their son to boarding school, giving her a chance to pursue her career. The first case she takes up is defense counsel for Kavita, a woman who has shot her husband - who survives. Coincidentally, Mukesh accepts the case representing the husband as a favor to an influential person who has helped him in the past. Now starts the war of the genders. Maya develops compassion for Kavita, the accused who has actually shot her husband. The reasons for the shooting unfold but looking at Kavita and her situation, Maya starts to question her own identity as an independent woman and the subtle inequalities between a man and woman start to bother her. This becomes a reason for debate between her and her husband. These debates are thought provoking without being loud or aggressive. While at one end they talk about couples like Mukesh and Kavita where there is domestic violence – a clear case of women rights and inequality at the other end are Mukesh and Maya – an urban well educated couple where the husband fell in love with his wife because of her intellect and strong personality and supports her decision to start working. Nandita Das fits the strong personality of Maya perfectly and for few scenes plays the role of Kavita – the timid and scared lady for whom domestic violence is part and parcel of a marriage. Talking to the audience after the play, Nandita said that half of the play came from their own conversations at home. It is easy to talk about inequality when it is very evident – cases of domestic violence, women not being allowed access to education or opportunity to work. But the society which has been patriarchal for several centuries has infused subtle sexist behavior in both men and women. Maya questions her own habit of selecting the smaller piece of cake between her and husband. “Why are you blaming me for taking the bigger piece if you were to select the smaller piece anyways?”. But why does she always pick the smaller piece? These are the kind of questions this play raises.

This play works well primarily because of the chemistry between the two actors. It is like they have placed seats around their real life living room and charging you to watch them debate. There are productions which take up serious social evils related to child abuse, domestic violence, dowry deaths and others. After seeing those, you become a little sad. But you feel helpless that you are not able to do anything about it. Best we can think of is go for a candle march or donate to an NGO. “Between the lines” addresses an issue which is not as evil as those but people (readers of this blog) would be able to relate to personally and can actually take steps to change (if they want to). Is a liberal and modern man as modern as he thinks he is? To know the answer go and catch this play when it’s up next in your city. 

In conclusion, “Between the lines” is a well written, beautifully performed engaging debate without being overbearing or loud. Must watch for Nandita Das fans. 

Play Review: Play it Hot by Akshara Theatre

This play is based on a concept which we have seen in movies like 'Some like it Hot' starring Marilyn Monroe and Rafoo chakkar (starring Rsihi Kapoor)  - couple of cross-dressing musicians on the run trying to save their lives.

The play opens with a radio conversation between the senior police official and the raiding party (voice overs). It then switches to a small cafe where an out of luck band is hanging out. They have no money to pay for their coffee let alone pay their rent. Suddenly they get embroiled in a gun fight between two gangs and become a witness to it. To escape the goons and the police they disguise themselves as 'Rapchik Rockers' - all girl band. They take up a gig in Goa which will provide them the much required money and a nice holiday. What happens next is a series of lies, deception, flirting and love trials. 

This play is a pure entertainer. The range of characters and their antics make this play a light hearted comedy. Be it the beautiful gold digging lead singer Sweety, the bubbly but strict Shruti Ma'am who breaks into a dance sequence at drop of a musical note, creepily flirtatious Thakur Raj Singh or pretentious Jijo managing two identities - every character has its quirks which audience loved. The guys get a taste of what it is to be pursued by men high on libido.The songs are absolute treat to the ears sung by very melodious Nisa Shetty in the role of Sweety and Vipin as the chotu turned Asst Manager. Jaya as Shritu Ma'am lets her hair lose along with the rest of the crew and you clap on. There is even a shayari competition between two warring gangs which ends in an anti-climax.

The cozy setting of Akshara is just a cherry on top for this entertaining play. This might not be a contender for any awards but is not meant to be. It is meant to send you back home refreshed and happy and it will not disappoint you.

Do check it out at Akshara Theatre on September 21 and 22.

About the Play:

Director: Anasuya Vaidya
Play By: Akshara TheatreCast: 

Singers	Vipin Heero
	Nisa Shetty
Dancers	Jaya
	Shaily Priya
	Yashna
	Gayathri
Chhotu/ Asst. Manager	Vipin Heero
Jijo/ Jia	Angad Thakur
Jaani/ Jenelle	Dhruv Shetty
Saxy/ Chitrangada	Mahant Shah
Kaalia Flunkeys	Shaily Proya Pandey
	Yashna Shetty
	S. Gayathri
Don	R.K. Peter
Sidekick/  Bellboy	Ankur Anand
Sweety	Nisa Shetty
Thakur Raj Singh	Vikalp Mudgal
Shruti Ma’am	Jaya
Voice Overs	Ajay Shetty
	Rocky Grover

Lights: Anusuya Vaidya
Sound: Harendra Bhandana

Play Review: Curious Case of Mr Kolpert

Boredom is the root of all evil - the despairing refusal to be oneself.

Soren Kierkegaard

Does boredom lead people to do crazy things? To what extent will people go to kill their boredom? Kill? It has been while since I have seen a black comedy. While I do enjoy a light, simple comedy after a hectic week at work, sometimes one needs to get out of comfort zone. As much as I enjoy movies like “There is something about Mary”, comes a Pulp fiction which throws every rule in the book out of the door.  If this play is a bench mark, Ishwar Shunya is to theatre what Quentin Tarantino is to movies. As soon as the play opens with focus on Ralf Shroff (played by Adhiraj Katoch), we knew this is going to be one unsettling play. A couple has invited another couple for dinner. Sounds simple, right? What if the couples were Vincent Vega/ Catherine Tarnell and Jules Winnfield/ Mia Wallace. If these names elude you, Google “Basic Instinct” and “Pulp Fiction” – just make sure no kids are around when you do that. Ralf is a chaos researcher who creates a chaotic situation by informing the invited couple that they have killed Mr Kolpert and have put his body in the trunk. This does not go well with physically violent Joy Bastian (Tushar Dhaudiyal) and he is curious. Where is the knocking sound coming from? Is it the trunk? At the same time his wife Edith (Kriti Vij) is unperturbed. She would rather snort rather than be sore - though Mr. Kolpert is her senior at work. Sarah (Shibani Bedi) is absolutely indifferent to what is happening. Adhiraj Katoch steals the show playing an insane but strangely in-control Ralf. He was so convincing in his performance that if I was to see this guy in real life, I will be scared. Performances by the entire cast keep you on edge of the seat throughout the play. You Though the theme is dark, the play is not dull. Dollops of humor add a strange but delectable taste to the dark chocolate.

Did they really try to kill Mr Kolpert?  Is he alive? Who is more likely to be a killer – an ever laughing person or a constantly angry, violent person? Will the much needed pizzas finally arrive in the right order? Go and watch the play if you need to know the answers. Needless to say, do not take children.

About the play:

Language: English

Theatre Group: Saanjha Sapnaa

Director: Ishwar Shunya

Written by: Davis Gielselmann

Music by: Sonam Sharma

Lights by: Ishwar Shunya

Props and set by:Saanjha Sapnaa

Poster/brochure by: Kanchan Ujjal

Cast:

Adhiraj Katoch – Ralf Shroff

Shibani Bedi – Sarah Pinto

Tushar Dhaudiyal – Joy Bastian

Kriti Vij – Edith

Manik Papneja – The Pizza Man

Play Review: Chukayenge Nahi by Asmita Theatre Group

If we were to ask a middle class person, what worries him the most these days, many of them would say ‘inflation’. Only thing which is growing faster than corruption in India are prices. You do not have to cut an onion these days for it to make you cry. Just looking at its prices sends the tears rolling.  

Image Courtsey: Asmita Threatre Group's FB Page

चुकंयेंगे ? नहीं ! (Chukayenge? Nahi!) is a Hindi adaptation by Amitabh Srivastava of Nobel Laureate Dario Fo’s original “Can’t pay, won’t pay”/ Non Si Paga! Non Si Paga!. The original play was written during autoriduzione (self-reduction) movement, during an economic crisis in Italy, in which women (and men) would take what they wished from markets, only paying for what they could afford. In the current state of India, a lot many people would want to do that. In the play they show what would happen if they actually did so. The entire play is set in a working class man’s house. The lower middle class woman (Lakshmi) becomes a part of spontaneous uprising at the local super market and comes home with lots of household material without paying for it. She is scared that if her self-righteous husband would find out, he would not agree to it. Her reluctant neighbor (Mala) becomes a part of mayhem and more complex spontaneous situations unfold when the police come knocking. So a lady suddenly becomes 5 months pregnant, new medical miracles happen with pregnancy transplants and things really get out of control when there is a “ek policewaale ki pregnant laash” on stage. The cast, comprising of Asmita’s lead actress Shilpi Marwah (playing Lakshmi – also seen in movie Ranjhnaa as Sonam kapoor’s friend) has given some phenomenal performance. Palak Bhutani (as Mala) was very expressive with her hand gestures and facial expressions and really showed her discomfort for being put into the midst of the situation as a spontaneously pregnant woman. Rahul Khanna and Ishwak Singh had small roles but set the audience rolling with laughter with their one-liners and body language. Himanshu Maggon and Gaurav Mishra depict the plight and the struggle of working class to great effect.

Asmita Theatre connects the audience like very few other theatre groups. Theatre in Delhi has often been associated with aristocrats and high society people, Asmita caters to entire population  - to the well read with their intellectually stimulating plays like Ambedkar vs Gandhi, to middle class through almost all their plays since they are an integral part of it and to the not so well read people like me can still enjoy a good laugh with easy to understand language without going bankrupt (due to their low ticket price). 

About the play:

Language: Hindi

Director: Arvind Gaur

Adapted by: Amitabh Srivast

Play By: Asmita Theatre Group

Play Review - "Run for your wife" by Behroopiya Entertainers

Having two beautiful working wives who can support themselves sounds like a dream for everyman. But then they also say: Be careful what you wish for because it might actually come true

'Run for your wife' is the longest running play in the world (so they say). In India, it has been adapted by 'Behroopiya Entertainers' (under license by Samuel French Ltd. (JAGRITI)). The original is written by Ray Cooney and it premiered way back in 1983 in London. The Indian presentation has been directed by Mrinal Dhar.

It is the story of Delhi cab driver Parminder Singh Bedi, who has two wives, two lives and a very precise schedule for juggling between them both. With one wife at home in Tilak Nagar and another at home in Rajouri Garden. Too add to the confusion is the upstairs neighbour in who gets entangled in the web of lies but tries his best to help. 

It was after a long time I laughed my heart out. With quality of Indian humor falling faster than morals of Indian politicians, this play brings some hope. This is not one of those mindless comedies which use slap stick humor and cliches which makes you question your own intelligence for having spent your time and money on it. For this comedy, do keep your brains switched on because it gets really confusing and this is a situational comedy at its very best. It begins with an 'unscheduled' encounter of Mr Bedi with an old lady's handbag with him being taken to the right home at the wrong time and thus begins a series of lies and confusion. I am sick of those comedies where all the characters are dumb as a rock and directors try to make audiences laugh through their dumbness. This play presents that how people with normal intelligence end up in cobwebs of lies and deceit. No one is dumb in this play.  The primarily English play has dollops of Punjabi thrown in which gives the play that perfect local flavor. While most of the actors were perfect in their own characters but were limited by the range of the characters they were playing, it was the character of Sukhi Singh Bali which provided the best of laughs in the entire play. He is the first one to know about the taxi driver's double life and therefore his only confidant. Sahil Kapoor, the actor playing Sukhi, provided amazing facial expressions ranging from delight to pain and to fear along with expressive body language. 

The audience was in splits throughout the play time of 90 mins and there were no dull moments. It is a one act play and the single stage set sometimes represents two homes and sometimes just one. It is the first time I have seen such a use of one single frame. Kudos to the creator and the director of the play for that. 

Do catch this play the next time it is in your city. You will relieve your entire week's stress. I am awaiting the next production from this group.   

Review - Ek Mamooli Aadmi

I will be reviewing plays when I see them. "Ek Mamooli Aadmi" is being staged on this weekend at IHC. I thought it would help that I share my views on the play with my audience (are there any?) :) 

PS: Some of the actors might have changed since I saw it. 

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“We distinguish the excellent man from the common man by saying that the former is the one who makes great demands on himself, and the latter who makes no demands on himself.”

Jose Ortega y Gasset quotes (Spanish philosopher and humanist , 1883-1955

These lines very well describe the underlying theme of a riveting play by Asmita Theatre Group. Written by Ashok Lal and Directed by Arvind Gaur, this play tells the life and death theory of Shri Ishwar Chand Awasthi. You can either see it as a theatrical personification of the world’s most famous common man by RK Laxman we all grew up seeing in the morning newspaper or you could see it as a journey of a person who lived like a nobody died as a nobody but unintentionally touched hearts of many just by doing what he was supposed to do. Wonderfully put together screenplay and the script raises several issues, without making a particular issue the center of it all. Beginning seems like a mystery play with the son of a dead head clerk wondering why Brahmins won’t come to last rites of a person they were worshipping a few days ago. The mystery slowly unfolds as a story of his father who hardly ever spoke to anyone, spent his life as a loner despite living with his son who at one point was the sole purpose of his existence.  The scene where the protagonist was introduced establishes the very crux of the play. I still remains fresh in my head. I did not notice when he came onto the stage and started to listen. Every things seems usual except Mr Awasthi’s attitude. He starts to change – he loses his ‘virginity’, spends a day with a female colleague much to her surprise and appreciation, takes a decision against powerful people, loses their favor but earns something he never intended to earn – tears of a few underprivileged people when he leaves this world quietly.

I have seen several of Asmita’s play. I found the strength of each play very different from the other. While ‘Operation Three Star’ would tickle your funny bone, ‘Ambedkar aur Gandhi’ would stimulate you intellectually, ‘Ramkali’ will send you tears through your eyes ‘Ek Mamooli Aadmi’ has one of the best character development I have seen on stage. How wonderfully the character of Mr Awasthi develops and you get to understand the psyche of a common man is what this play’s USP is. Viren Basoya has beautifully depicted a very ordinary common man supported by Bajrang Bali Singh as a well intentioned alcoholic we all love to hate – because they can say the truth.

If you haven’t seen the play already, the play is being staged on May 19th and May 20th 2012 at IHC at 7:30 PM