MEDEA by Saanjha Sapna

When was the last play you saw, written? 10 years ago? 20 years ago? 100 years ago? How about 2400 years ago? Medea is a classic ancient Greek Tragedy written by Euripides in 431 BC.

“Hell hath no fury like a woman scorned” can describe this play in one line. The play tells the story of Medea who has been betrayed by her husband, Jason who has taken fancy of the king Creon’s daughter, Glauce. Fearing his daughter’s safety and disruption of her marriage to Jason, king orders Medea to be sent into exile. However, she pleads for one day’s delay and she uses it to extract her revenge on everyone involved.

                                Pic Source: Saanjha Sapna FB Page

Directed by Kanchan Ujjal Singh, this play might not appeal to all. Sonamm Sharma, playing the role of Medea, gets to depth of character’s grief and brings out the deepest emotions of her grief, vengeance and anger. This play is true drama with script being expressed with just not the mouth but with hands, eyes and the whole body. There is no place for satire, humor or even a mild joke in a greek tragedy. Only emotions the characters know are anger and envy. Performances are done with conviction and energy. I think however, a little bit of more practice and coordination could improve the presentation. The one I saw was their very first performance and having met the cast, I know they are working on it. While the story is told in many forms several times, the emotions explored are very complex.

                                Pic Source: Saanjha Sapna FB Page

Cast:

Sonamm Sharma

Adhiraj Sharma

Tushar Dhaundiyal

Pallav Chander

Varoon P.Anand

Dimple kaur

Nitika Arora

Devyani sharma

Directed by Kanchan Ujjal Singh

Play Review: "Between the Lines" by Nandita Das

About the play:

Language: Hinglish

Directed by: Nandita Das

Written by: Nandita Das and Divya Jagdale

Cast:

Maya: Nandita Das

Shekhar: Subodh Maskara

Kavita: Nandita Das

Mukesh: Subodh Maskara

Due to busy few weekends, I had not been able to see a play. When I was casually checking the play listings for the weekend, I saw “Between the lines” Written, Directed and Acted by Nandita Das, I had to see it. Venue was FICCI Auditorium - venue I like. Thanks to some ‘auspicious day’ there were like a million weddings in Delhi on that day and it took me about 75 mins instead of usual 40-45 mins and hence I missed the first 5 mins of the play but atleast I got the tickets.

“Between the lines” primarily is a play in form of conversations between an urban, well-educated, upper middle class couple. It talks about the issue of gender inequality – the obvious and the subtle forms of it. Shekhar (played by Subodh Maskara – Nandita Das’ husband) is a successful and famous lawyer and Maya (Nandita Das), a college gold medalist who is getting back to her professional life after a 14 year gap. They have recently sent their son to boarding school, giving her a chance to pursue her career. The first case she takes up is defense counsel for Kavita, a woman who has shot her husband - who survives. Coincidentally, Mukesh accepts the case representing the husband as a favor to an influential person who has helped him in the past. Now starts the war of the genders. Maya develops compassion for Kavita, the accused who has actually shot her husband. The reasons for the shooting unfold but looking at Kavita and her situation, Maya starts to question her own identity as an independent woman and the subtle inequalities between a man and woman start to bother her. This becomes a reason for debate between her and her husband. These debates are thought provoking without being loud or aggressive. While at one end they talk about couples like Mukesh and Kavita where there is domestic violence – a clear case of women rights and inequality at the other end are Mukesh and Maya – an urban well educated couple where the husband fell in love with his wife because of her intellect and strong personality and supports her decision to start working. Nandita Das fits the strong personality of Maya perfectly and for few scenes plays the role of Kavita – the timid and scared lady for whom domestic violence is part and parcel of a marriage. Talking to the audience after the play, Nandita said that half of the play came from their own conversations at home. It is easy to talk about inequality when it is very evident – cases of domestic violence, women not being allowed access to education or opportunity to work. But the society which has been patriarchal for several centuries has infused subtle sexist behavior in both men and women. Maya questions her own habit of selecting the smaller piece of cake between her and husband. “Why are you blaming me for taking the bigger piece if you were to select the smaller piece anyways?”. But why does she always pick the smaller piece? These are the kind of questions this play raises.

This play works well primarily because of the chemistry between the two actors. It is like they have placed seats around their real life living room and charging you to watch them debate. There are productions which take up serious social evils related to child abuse, domestic violence, dowry deaths and others. After seeing those, you become a little sad. But you feel helpless that you are not able to do anything about it. Best we can think of is go for a candle march or donate to an NGO. “Between the lines” addresses an issue which is not as evil as those but people (readers of this blog) would be able to relate to personally and can actually take steps to change (if they want to). Is a liberal and modern man as modern as he thinks he is? To know the answer go and catch this play when it’s up next in your city. 

In conclusion, “Between the lines” is a well written, beautifully performed engaging debate without being overbearing or loud. Must watch for Nandita Das fans. 

Play Review: Candida

·         Director : Vishesh Arora

·         Writer : George Bernard Shaw

·         Duration : 1 hr 15 mins

·         Genre : Drama ( Romantic Comedy)

Miss Proserpine Garnett played by Lovelinna Sharma
The Reverend James Mavor Morell played by Sarthak Mattoo
The Reverend Alexander (Lexy) Mill played by Nihaal Parashar
Mr Burgess played by Adhiraja
Candida played by Shivani Nagar,
Eugene Marchbanks played by Shivam Khanna

Written by the Irish Playwright George Bernard Shaw (Also the Co-founder of London School of Economics), the story involves Candida, wife of a Clergyman (Reverend James). Candida (falls in love with a youthful poet, Eugene March banks, who try to win Candida.  The story gets complicated when Candida has to choose between her husband and the Poet. The play questions Love, marriage, desires and the sacrifices a women makes. The script is crisp and has the flavor of Bernard’s writing rich with sarcastic humor on society, people behavior, relationships. There has been numerous adaptation of the play worldwide, attaining the claim of ‘Romantic-Comedy’ or Rom-coms

But what happens when a Indian Actors try to do a Classic English play (with Indian Accent) set in Early 1980. Yes you got it right utter chaos.

Lesser known Curtain Call Productions performed this Play in Delhi In Alliance Francaise In July 2013).

The director of the play took the script as-is from Bernard Shaw writing. There are a number of instances James makes his socialist remarks about the state of affairs (which unfortunately go over the head for most Non-Economic People unrelated to the economic scenario of 1890 British Era). There is an intense scene between the poet Eugene and James where the poet confesses his love for his wife. The overall plot when portrayed looks similar to a Bollywood masala having a love triangle.  The actors transition from a perfect brit to Indian accent which looks ridiculous.

Candida played by Shivani Nagar was the saving grace as she kept her character throughout the play. The others were too fast in their delivery of dialogues and wanted to leave the stage.Overall the play was average, with the humor element scattered in bits. 

Theatre Festival: Theatre in Motion

We will try to bring updates about Theatre Festivals which allow theatre lovers to relish several plays in succession.

'Theatre in Motion' is a unique festival which is happening simultaneously in three cities: Delhi, Mumbai and Kolkata. It also brings together several theatre groups such as Asmita, Pierrott's Troupe, Primetime Theatre Company and several others. I would call it a multi-cuisine buffet of theatre. I would love to post all that is happening in Theatre in Motion festival but I would just be reproducing what is already available in great details at their website: 

Theatre in Motion: Browse Groups, Dates, Venues

However, here is the schedule for Plays in Delhi. You can book the tickets from their website. I have sorted the play schedule date wise.

Please feel free to write reviews of the plays you watch and we will be happy to publish them.

Play Review: Nothing Like Lear. Review by Rahul Sharma

This is our first guest review by Rahul Sharma - A theatre lover from Delhi with a cocky sense of humor. 

Play: Nothing Like Lear

Written and Directed By: Rajat Kapoor

Based on: Shakespeare's King Lear

Comedy, Tragedy, Tragedy in a Comedy, Comedy in a Tragedy ... At the end of the day, content needs to tell a good story. For me at least, this holds true. Playing with stars is only fruitful when there is a good story to back them up ... and, I mean, that's how stars are created.

I had seen "Noises Off" and "Hamlet - The Clown Prince" by then, and was extremely excited to be able to watch quality English theater in Delhi. And, next on the line was "Nothing Like Lear". I said to myself, "Dude, this weekend is awesome. First, Hamlet vala play, and now Vinay pathak in a monologue ... Machauuu". I had seen a few monologues before, including Saleem Sheikh and Lushin Dubey, and was hoping for this one to be of same level.

However, this play turned out to be such a disaster that I wanted my Tyler Durden to beat the shit out of my Edward Norton. I mean by not coming for this play, I could have bought a better section at upcoming Ghulam Ali's performance in Oct.

It was all the same. Something that you always witness on a weekend at Kamani. Flashy cars, absolutely no parking space, "O my gaawd, you are here too (hugs and giggles)" crowd, and yes, on an evening like this, few celebs too.

I entered in the auditorium. Play started, my excitement took a bungee jump ... and never bounced back.

To start with, this play has an exceptionally weak script. From the inception of the play, it was filled with jokes those were a hit the time when JFK was doing Marilyn Monroe. Had I been in his place and telling those jokes, people would have arranged a meeting of my testicles with my tonsils. But on those F-grade jokes, people laughed as if Nitrous Oxide was in the air. I flexed my zebra neck to take a look around, and realized that for meters and kilometers, only 4 people were still as Katrina Kaif's expressions...me and my friend + 2 guys on our left (who honored the scriptwriter with an invisible middle finger and left after first 15 minutes).

Smartphones were probably invented for times like these. As time crawled (literally), smartphones took over the laughing herd. Soon, people were talking on phone, watspp-ing their friends, moving out and buying food ... some would have taken a sutta break too, I am sure.

Nevertheless, we laughed twice during the play, and that too when Vinay Pathak did something impromptu. That said, I do not doubt the actor's skills, I mean, the way he changes a character was smooth and flawless. And his delivery of Shakespearean dialogues was hard hitting.

Play ended. I came out of the auditorium and the noise, the praise that I heard in previous two plays was nowhere to be heard.

And, there will always be people who would not call a bad play a bad play. Probably they have a fear of being an outcast. I mean, how can a play with Bollywood stars can be so mediocre..."ya must be outta ya mind kid". 

I came out, and bumped in to a fellow from theater in the washroom. The first sentence that came out of his mouth was, "play accha tha na?". I said, "No...horrible script ". These words from my mouth and gates of we-belong-to-quality-theater-world were closed for me. 

The guy, with a smirk on his face, took my leave...an expression that said "Vinay Pathak's monologue, Rajat kapoor's direction and he says he dint like it...Loser". And I took a leak, thinking of a girl in the auditorium who developed an incredible firang accent when talking to a firang, and talking normal when turned towards her desi friends ... "she must be a mutant".

Kahani ka Lolipop: This is not a play that I would recommend to my friends who have a sense of good theater, solely because of an extremely wannabe script which wasted an exceptional actor.

Play Review: Play it Hot by Akshara Theatre

This play is based on a concept which we have seen in movies like 'Some like it Hot' starring Marilyn Monroe and Rafoo chakkar (starring Rsihi Kapoor)  - couple of cross-dressing musicians on the run trying to save their lives.

The play opens with a radio conversation between the senior police official and the raiding party (voice overs). It then switches to a small cafe where an out of luck band is hanging out. They have no money to pay for their coffee let alone pay their rent. Suddenly they get embroiled in a gun fight between two gangs and become a witness to it. To escape the goons and the police they disguise themselves as 'Rapchik Rockers' - all girl band. They take up a gig in Goa which will provide them the much required money and a nice holiday. What happens next is a series of lies, deception, flirting and love trials. 

This play is a pure entertainer. The range of characters and their antics make this play a light hearted comedy. Be it the beautiful gold digging lead singer Sweety, the bubbly but strict Shruti Ma'am who breaks into a dance sequence at drop of a musical note, creepily flirtatious Thakur Raj Singh or pretentious Jijo managing two identities - every character has its quirks which audience loved. The guys get a taste of what it is to be pursued by men high on libido.The songs are absolute treat to the ears sung by very melodious Nisa Shetty in the role of Sweety and Vipin as the chotu turned Asst Manager. Jaya as Shritu Ma'am lets her hair lose along with the rest of the crew and you clap on. There is even a shayari competition between two warring gangs which ends in an anti-climax.

The cozy setting of Akshara is just a cherry on top for this entertaining play. This might not be a contender for any awards but is not meant to be. It is meant to send you back home refreshed and happy and it will not disappoint you.

Do check it out at Akshara Theatre on September 21 and 22.

About the Play:

Director: Anasuya Vaidya
Play By: Akshara TheatreCast: 

Singers	Vipin Heero
	Nisa Shetty
Dancers	Jaya
	Shaily Priya
	Yashna
	Gayathri
Chhotu/ Asst. Manager	Vipin Heero
Jijo/ Jia	Angad Thakur
Jaani/ Jenelle	Dhruv Shetty
Saxy/ Chitrangada	Mahant Shah
Kaalia Flunkeys	Shaily Proya Pandey
	Yashna Shetty
	S. Gayathri
Don	R.K. Peter
Sidekick/  Bellboy	Ankur Anand
Sweety	Nisa Shetty
Thakur Raj Singh	Vikalp Mudgal
Shruti Ma’am	Jaya
Voice Overs	Ajay Shetty
	Rocky Grover

Lights: Anusuya Vaidya
Sound: Harendra Bhandana

Play Review: Curious Case of Mr Kolpert

Boredom is the root of all evil - the despairing refusal to be oneself.

Soren Kierkegaard

Does boredom lead people to do crazy things? To what extent will people go to kill their boredom? Kill? It has been while since I have seen a black comedy. While I do enjoy a light, simple comedy after a hectic week at work, sometimes one needs to get out of comfort zone. As much as I enjoy movies like “There is something about Mary”, comes a Pulp fiction which throws every rule in the book out of the door.  If this play is a bench mark, Ishwar Shunya is to theatre what Quentin Tarantino is to movies. As soon as the play opens with focus on Ralf Shroff (played by Adhiraj Katoch), we knew this is going to be one unsettling play. A couple has invited another couple for dinner. Sounds simple, right? What if the couples were Vincent Vega/ Catherine Tarnell and Jules Winnfield/ Mia Wallace. If these names elude you, Google “Basic Instinct” and “Pulp Fiction” – just make sure no kids are around when you do that. Ralf is a chaos researcher who creates a chaotic situation by informing the invited couple that they have killed Mr Kolpert and have put his body in the trunk. This does not go well with physically violent Joy Bastian (Tushar Dhaudiyal) and he is curious. Where is the knocking sound coming from? Is it the trunk? At the same time his wife Edith (Kriti Vij) is unperturbed. She would rather snort rather than be sore - though Mr. Kolpert is her senior at work. Sarah (Shibani Bedi) is absolutely indifferent to what is happening. Adhiraj Katoch steals the show playing an insane but strangely in-control Ralf. He was so convincing in his performance that if I was to see this guy in real life, I will be scared. Performances by the entire cast keep you on edge of the seat throughout the play. You Though the theme is dark, the play is not dull. Dollops of humor add a strange but delectable taste to the dark chocolate.

Did they really try to kill Mr Kolpert?  Is he alive? Who is more likely to be a killer – an ever laughing person or a constantly angry, violent person? Will the much needed pizzas finally arrive in the right order? Go and watch the play if you need to know the answers. Needless to say, do not take children.

About the play:

Language: English

Theatre Group: Saanjha Sapnaa

Director: Ishwar Shunya

Written by: Davis Gielselmann

Music by: Sonam Sharma

Lights by: Ishwar Shunya

Props and set by:Saanjha Sapnaa

Poster/brochure by: Kanchan Ujjal

Cast:

Adhiraj Katoch – Ralf Shroff

Shibani Bedi – Sarah Pinto

Tushar Dhaudiyal – Joy Bastian

Kriti Vij – Edith

Manik Papneja – The Pizza Man